GEMAH PAWITRA by ASEP TRUNA 2008

Wayang

Wayang is an Indonesian and Malay word for theatre. When the term is used to refer to kinds of puppet theater, sometimes the puppet itself is referred to as wayang. "Bayang", the Javanese word for shadow or imagination, also connotes "spirit." Performances of shadow puppet theater are accompanied by gamelan in Java, and by "gender wayang" in Bali.

UNESCO designated Wayang Kulit, a shadow puppet theater and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.

Wayang is one of the form of culture which contain all the material of art. Mostly wayang included puppets as a main thing in a performance, in 2 dimensions or 3 dimensions. As we all know, in wayang we may find others art such as batik which is used as the cloth of each character, and also keris as weapon. From these two things; batik and keris, if we’d like to, we can learn so many things. Other supportive components are gamelan as backsound music, Javanesse verses as song sang by sinden (javanesse singer), and so on. All of them are combined to be one complex shadow puppet performance. In fine art itself, wayang always grows. Start from wayang beber, wayang kulit, wayang golek, and many other kinds. In this performance, I focus on wayang kulit or shadow puppet. Wayang kulit has quality of form in stylizing and deformation which is unique. Even on its stylizing technique, it symbolized each character which is performed.

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